The lesbian experience is being given its dramatic due invisible no more onstage

The lesbian experience is being given its dramatic due invisible no more onstage

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It had been just five years ago that “Fun Home” made history once the first Broadway musical to feature a lesbian character that is lead then proceeded to win a passel of Tony Awards before you go on a nationwide trip that included an end during the Boston Opera home.

But progress often happens more quietly and incrementally than that. So it is worth noting, and celebrating, the staging of a few productions by neighborhood movie theater businesses by which long-lasting relationships between two ladies act as the fulcrum: Company One Theatre’s “Wolf Play, ” Actors’ Shakespeare Project’s “Bright Half Life, ” and Lyric Stage’s just-closed “The Cake. ”

In manners tiny and not-so-small, these performs are helping provide a fuller image of the entire world we live in — theater’s task, in the end. Yet for several years that photo ended up being incomplete. Lesbians were either invisible or treated as a punchline onstage (as were, all too often, homosexual males).

Now, lesbians have at the very least started to edge in to the foreground, being given their dramatic due with multifaceted portrayals and narratives that are complex explore their everyday lives and experiences in particularized information.

It’s a welcome development that adds a fresh measurement towards the conventional family members drama. Showing the legalization of same-sex marriage, all three couples in “The Cake, ” “Wolf Enjoy, ” and “Bright Half Life” are either married or just around to get married. The partners in every three performs are interracial. Continue reading “The lesbian experience is being given its dramatic due invisible no more onstage”